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Caroline Miller

Caroline Miller

Categories

New Artist

Vocalist Female

Home Region

New York City, US

Minutes of Material

90

Show Language

English

About

As a soprano, aerialist, and cruise entertainer, Caroline Miller dazzles audiences with her vocal flexibility, dramatic intensity, and comedic flair. Since 2021, she has appeared with Princess Cruises as a Guest Soprano in their production show Bravo, as well as presenting her solo shows, Judy, Julie and Me and Divas.

Equal at home in new music, operetta, musical theater and crossover, Caroline’s shows are a potpourri of vocal versatility. She’ll have you laughing, tapping and singing along with her as she brings together dance, humor, stories and great music. Caroline’s operatic journey spans from Juliana in Argento's The Aspern Papers to Valencienne in Franz Lehár’s The Merry Widow. She has appeared with symphonies, opera and theater companies across the US including Toledo Opera, where she was also a resident artist, Ohio Light Opera, Chelsea Opera, Bard Opera, Surflight Music Theater and the American Symphony Orchestra.

Caroline is also an experienced creator and producer in her own right. She Co-founding The Pleiades Project expanded her creative horizons as a director, writer, programmer, and producer, crafting impactful video productions like Così and Pleiades | 24, several of which were selected to be featured in Film Festivals. Her dedication to pushing artistic boundaries extends to the circus and aerial arts, seamlessly integrating them into her opera and film work, as seen in projects like Aber, a short film of a silks duet to a re-orchestrated “Ihr habt nun traurigket.” She is also half of Siren Song, a vocal aerial duo along with dancer Veronica Druchniak. With degrees in English Literature and Music from Washington University in St. Louis, and a Masters in Music from the Eastman School of Music, Caroline resides in Upper Manhattan, where she continues to inspire audiences with her boundless talent alongside her unimpressed pitbull, Maya.

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